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"It's clear that Finghin Collins delights in Mozart and the four concertos here are the fruits of his time as Associate Artist with the RTE National SO, which he directs from the keyboard. The works range widely in mood, from the relatively carefree K415 to the proto-Beethovenian K466, and Collins is alive to their different personalities and at pains to give each phrase apt contour and detail.  The long lines of the slow movement of K415 are finely wrought in what is perhaps the most compelling performance in the set."

Harriet Smith, Gramophone Magazine, September 2013 issue

 

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